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The Participatory Museum, Five Years Later

Museum 2.0

This week marks five years since the book The Participatory Museum was first released. I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA.

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Ze Frank Takes Over (My) Museum

Museum 2.0

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. Ze Frank is a participatory artist who creates digital projects that are explicitly about creating and enhancing authentic interpersonal connections. This 2010 TED talk is a good introduction if you haven't experienced his work before.

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Quick Hit: My Work with the Santa Cruz Museum of Art & History

Museum 2.0

I've now been the Director of The Museum of Art & History in Santa Cruz for two months. But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection.

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Upcoming Nonprofits Live: Storytelling and Collaborative Video

Tech Soup

This is a participatory live video show - come ready with your questions for our experts! of art, activism, and academic inquiry on the politically charged. Berkeley, Stanford, United Nations University, New York University, UC. Get your story ideas ready and RSVP for Nonprofits Live on February 8. His forthcoming.

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Participation in Storytelling: Collaborative Video on Nonprofits Live

Tech Soup

This is a participatory live video show - come ready with your questions for our experts! David is a cross-disciplinary mediamaker, working at the intersection of art, activism and academic inquiry on the politically charged questions surrounding globalization and social justice. Guests for Nonprofits Live: Collaborative Video.

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How I Got Here

Museum 2.0

Part 1: It's What You Want In 2002, I was finishing a bachelor's degree in electrical engineering at WPI, a hands-on, technical university in Worcester, Massachusetts. I also learned that the best money in museums for someone who's starting out is in art modeling. But internship after internship didn't live up to those expectations.

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AAM 2010 Recap: Slides, Surprises, and a Banjo

Museum 2.0

Kathleen McLean (Independent Exhibitions), Dan Spock (Minnesota History Center), and Kris Morrissey (University of Washington) all shared thought-provoking and useful insights on visitor participation in museums, but Mark Allen and Emily Lacy brought down the house with their bluegrass rendering of the Machine Project and its engaging, quirky work.

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