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Designing Interactives for Adults: Put Down the Dayglow

Museum 2.0

There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults. There's a huge difference between the edgy, DIY beauty of Candy Chang 's participatory urban artworks and the dayglow colors, exclamatory language , and preschool fonts of most museum interactives.

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The Spectator Spectrum: Who Do You Count as a Participant?

Museum 2.0

We held a free yoga class in the plaza outside the museum and invited artists to come and draw/paint the yoga-doers in motion. It was a creative stretch for everyone involved--people who had to draw quickly, exercisers who had to hold poses for longer-than-normal time periods--and everyone had a good time. That included spectators.

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What's Your Vision?

Museum 2.0

A cheerful curly-haired deli owner stands in front of 30 of us and shares a quote he loves: "Artists live in the present and write detailed histories of the future." It was even more useful to learn how participatory writing visions can be. We took 30 minutes for the exercise.

History 26
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How Can You Attract New Audiences Without Alienating Your Base?

Museum 2.0

Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." Audience development is not an exercise in concentric circles. We want to cultivate a more diverse audience, especially younger people, and we want to do it authentically."

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A Community-Driven Approach to Program Design

Museum 2.0

We had about thirty participants ranging from MAH trustees to artists, educators to architects, moms to grandfathers. We also had interns recording during the honeycomb exercise. There's useful energy that arises when you put a teacher, a techie, a mom, and an artist in a group and ask them to work together.

Program 49
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Using Design Thinking for A Foundation’s Investment Strategy

Beth's Blog: How Nonprofits Can Use Social Media

In some ways, a design lab can be thought of as “participatory research and testing.”. To get people in the mindset for brainstorming, I lead them through a couple of improvisation exercises that teach acceptance and openness to new ideas. Participants were encouraged to focus on quantity of ideas and not to self-edit.

Design 50
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Making Alternative Meaning out of Museum Artifacts

Museum 2.0

Last month, I met an artist who was part of a group that created a renegade podcast tour for the Portland Art Museum. The participatory element employs an accessible speculative question. The participatory element is modeled well by the "official" content. It's available, but it's not the point of the whole exercise.

Museum 22